This sonata with basso continuo includes both parts in one booklet in score form, as well as a piano accompaniment so you can play it either way — or both ways. Cello I is largely in tenor clef, but the note range does not exceed 4th position G. Continuo in bass clef, easier rhythmically.
Parts are of uneven difficulty. Cello I requires fluency in treble, tenor and bass clefs. Replete with double stops. Cello II mostly bass clef with the exception of two measures where tenor clef is unnecessary, and a B-C in two measures where it is helpful. (Editorial choices mystify me). Cello III and IV are all in bass clef, with IV having easier rhythms and no double stops.
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