Starts with 24 scales in two octaves, then offers bowing variations, triads, scales in thirds, before proceeding to the same format with three- and four-octave scales. #1597
[IMC #2227] Originally composed for two oboes and English horn. Cello I is entirely in tenor clef and requires thumb position; Cello II is in bass clef moving briefly above 4th position for a B; Cello III barely moves out of first position to an occasional E. There are many octave jumps in the lower positions, many ungainly passages.
#2269 (1) Song Without Words (2) Gavotte (3) Lullaby (4) March.
Parts are of unequal difficulty. Cello 1 involves tenor and treble clef. Cello 2 has a few scattered measures of tenor, the rest in bass. Cello 3 and 4 all in bass clef, but beyond first position. Four separate booklets, no score.
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