A study in key changes, chromatic progressions, and left hand positions! Cello I tenor clef, Cello II and III bass clef, everyone gets 2 sharps, 3 flats, 4 sharps, 1 flat, 6 sharps . . . tee hee. Arranged by Wendy Bissinger.
#3628 This includes the complete cello solo, newly edited by Daniel Morganstern with commentary and preparatory exercises. The Cello II part by Elaine Fine takes the place of the piano reduction.
This set includes two booklets, each with both parts in score form. While I don’t usually use “intermediate” to grade music, these works stay in bass clef, through 4th position, in friendly keys, with rhythmic challenges. If you like French Baroque chamber music, try these.
This is a single book with both parts in score form. All duets are written in bass clef, do not require positions above fourth, and are popular with cellists with similar skill sets. A variety of accessible keys and time signatures within your comfortable note range.
Arranged for 4 cellists by Ed Laut. Includes score and parts. Cello 1 plays the solo, and Cellos 2, 3, 4 provide accompaniment. Advanced material.
$18.95
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