Each part is in its own booklet. Cello I is a bit more challenging than II but both parts remain in bass clef to 4th position and A harmonic. It is rehearsal-friendly with measure numbers, but there are no fingerings provided. This may be a blessing if you know your fingerboard geography, and a curse if you’re a play-by-number kinda guy.
[IMC #2227] Originally composed for two oboes and English horn. Cello I is entirely in tenor clef and requires thumb position; Cello II is in bass clef moving briefly above 4th position for a B; Cello III barely moves out of first position to an occasional E. There are many octave jumps in the lower positions, many ungainly passages.
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