Special import – Both parts are in one book in score form. Cello I is slightly more advanced than Cello II, in that it includes a few tenor clef passages, a bit more rhythmically challenging.
Each part is in its own booklet. Cello I is a bit more challenging than II but both parts remain in bass clef to 4th position and A harmonic. It is rehearsal-friendly with measure numbers, but there are no fingerings provided. This may be a blessing if you know your fingerboard geography, and a curse if you’re a play-by-number kinda guy.
From 44 Duos for 2 Violins arranged for 2 violoncelli by Walter Kurz. At first blush the pieces appear deceptively simple. Most of the duets can be played with a working knowledge of first and second positions. However, phrasing, dynamic markings, changes in time signature, and complex rhythms quickly reveal much more intricate music happening here. While parts appear evenly matched, it will be helpful to play with a more advanced partner. Newer students will have questions. Highly recommended because of the broad scope of skills required and, after all, it is Bartok! The 18 pieces are short, absolutely loaded with material.
[IMC #3442] Three Sonatas for 2 cellos: No. 10 in C Major, No. 11 in G minor, No. 12 G Major. Includes two booklets, each with both parts in score form. Cello I in tenor clef but not above 4th position. Cello II in bass clef, less challenging in note range and rhythmically. Edited by Stutch.
#3780 Edited by Jeffrey Solow. Each part is in its own book. Don’t confuse “easy” with “for beginners.” Range stays within bass clef, 4th position, but includes more complex rhythms, lots of double stops that are not against open strings, sections in 3 sharps and flats. No idea why this volume is so expensive, but it does include a lot of music! I find this to be fun and practical sight-reading material as the range of notes is comfortable, but the intervals and rhythms really show you where your geography shortcomings lie.
$43.00
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