This single booklet includes both parts in score form. Parts are of similar difficulty, and both have a mix of tenor and bass clef. However, the tenor clef often stays within 4th position. If you associate clef changes with notes above your comfort zone, if you can handle through A harmonic up to a possible B, don’t shy away from these.
Parts are of uneven difficulty. Cello I requires fluency in treble, tenor and bass clefs. Replete with double stops. Cello II mostly bass clef with the exception of two measures where tenor clef is unnecessary, and a B-C in two measures where it is helpful. (Editorial choices mystify me). Cello III and IV are all in bass clef, with IV having easier rhythms and no double stops.
IMC #3705 is the 15 Easy Studies which precede the 10 Grand Etudes in Op. 76 preparing you for Op 73, the High School. Originally arranged by G. Woerl (who included cello II ad lib for Nos. 1-10), Enyeart wrote Cello II parts for the remaining five. The only other change we note is the inclusion of measure numbers. It is a single book with both parts in score form.
[IMC #3442] Three Sonatas for 2 cellos: No. 10 in C Major, No. 11 in G minor, No. 12 G Major. Includes two booklets, each with both parts in score form. Cello I in tenor clef but not above 4th position. Cello II in bass clef, less challenging in note range and rhythmically. Edited by Stutch.
$15.50
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