Arranged by Jorge Espinoza, this trio is accessible to cellists comfortable through 4th position. Parts are of slightly uneven difficulty in that Cello 3 has a lower range of notes.
This single booklet includes both parts in score form. Parts are of similar difficulty, and both have a mix of tenor and bass clef. However, the tenor clef often stays within 4th position. If you associate clef changes with notes above your comfort zone, if you can handle through A harmonic up to a possible B, don’t shy away from these.
#2414 Op. 119, Nos. 1 & 2. Parts only; no score. Parts are in bass clef and of uneven difficulty with Cello I’s range just beyond the harmonic A. Cello II does not exceed the harmonic A. Cello III and IV are easier, fluent to fourth position
This set includes two booklets, each with both parts in score form. While I don’t usually use “intermediate” to grade music, these works stay in bass clef, through 4th position, in friendly keys, with rhythmic challenges. If you like French Baroque chamber music, try these.
$19.95
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