[ CE-14] Silent Night, In Dulci Jubilo, Adoremus Te, The Holly and the Ivy, Away in the Manger. Includes parts and score. Cello I requires the cellist to play at least through upper third position. Other cellists can stay in first but the more positions you know, the more opportunities you have to vibrate longer notes. Pretty arrangements, even if your group is more advanced. Arranged by Erinn Renyer.
Offenbach – Can Can
Bizet – Habanera from Carmen
Tchaikovsky – 1812 Overture
Delibes – Pizzicato Polka
Solo part is equally distributed throughout. Parts are of unequal difficulty. Cello I treble and tenor clefs, Cello II and III tenor. All have counting issues and require crisp articulation. Includes parts and score. [CE-19]
#2414 Op. 119, Nos. 1 & 2. Parts only; no score. Parts are in bass clef and of uneven difficulty with Cello I’s range just beyond the harmonic A. Cello II does not exceed the harmonic A. Cello III and IV are easier, fluent to fourth position
From 44 Duos for 2 Violins arranged for 2 violoncelli by Walter Kurz. At first blush the pieces appear deceptively simple. Most of the duets can be played with a working knowledge of first and second positions. However, phrasing, dynamic markings, changes in time signature, and complex rhythms quickly reveal much more intricate music happening here. While parts appear evenly matched, it will be helpful to play with a more advanced partner. Newer students will have questions. Highly recommended because of the broad scope of skills required and, after all, it is Bartok! The 18 pieces are short, absolutely loaded with material.
$15.00
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