Tango arranged by Jorge Espinoza. All parts in bass clef, but it’s not easy with rhythmic issues, double stops. Parts of uneven difficulty. Includes parts with score.
16 duets compiled and edited by Francis Grant. Each part is in a separate booklet. The cover has an error, as it is not a method and has no pedagogical works.
Offenbach: Andante, Allegro Giacoso, Andante Cantabile, Intermezzo, Reverie, Old French Song, Allegretto, Serenade, Rondo
[IMC #2227] Originally composed for two oboes and English horn. Cello I is entirely in tenor clef and requires thumb position; Cello II is in bass clef moving briefly above 4th position for a B; Cello III barely moves out of first position to an occasional E. There are many octave jumps in the lower positions, many ungainly passages.
#3780 Edited by Jeffrey Solow. Each part is in its own book. Don’t confuse “easy” with “for beginners.” Range stays within bass clef, 4th position, but includes more complex rhythms, lots of double stops that are not against open strings, sections in 3 sharps and flats. No idea why this volume is so expensive, but it does include a lot of music! I find this to be fun and practical sight-reading material as the range of notes is comfortable, but the intervals and rhythms really show you where your geography shortcomings lie.
IMC #3705 is the 15 Easy Studies which precede the 10 Grand Etudes in Op. 76 preparing you for Op 73, the High School. Originally arranged by G. Woerl (who included cello II ad lib for Nos. 1-10), Enyeart wrote Cello II parts for the remaining five. The only other change we note is the inclusion of measure numbers. It is a single book with both parts in score form.
$12.00
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