Arranged by Jorge Espinoza. While all parts are written in bass clef, Cello I has passages which could be written in tenor. Parts are slightly graded, with double stop challenges for Cello III.
Offenbach – Can Can
Bizet – Habanera from Carmen
Tchaikovsky – 1812 Overture
Delibes – Pizzicato Polka
Solo part is equally distributed throughout. Parts are of unequal difficulty. Cello I treble and tenor clefs, Cello II and III tenor. All have counting issues and require crisp articulation. Includes parts and score. [CE-19]
Duets are graded in four volumes, both parts of equal difficulty. Volume II uses half, 1st and 2nd positions. Pieces are more rhythmically challenging, and instructional tips are provided as to bowing. We usually stock this book for Two Violins and Two Violas which matches the cello book, so you can play violin-cello or viola-cello duets. A piano accompaniment book is also available for purchase.
[CE-6] Haydn Serenade, Tchaikovsky Humoresque, Mozart March from Figaro, Joplin The Entertainer. Includes parts and score. Solo part is equally distributed.
[IMC #2227] Originally composed for two oboes and English horn. Cello I is entirely in tenor clef and requires thumb position; Cello II is in bass clef moving briefly above 4th position for a B; Cello III barely moves out of first position to an occasional E. There are many octave jumps in the lower positions, many ungainly passages.
$15.25
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