Arranged by Jorge Espinoza. While all parts are written in bass clef, Cello I has passages which could be written in tenor. Parts are slightly graded, with double stop challenges for Cello III.
This single booklet includes both parts in score form. Parts are of similar difficulty, and both have a mix of tenor and bass clef. However, the tenor clef often stays within 4th position. If you associate clef changes with notes above your comfort zone, if you can handle through A harmonic up to a possible B, don’t shy away from these.
IMC #3705 is the 15 Easy preparatory studies to Op. 76 and 73. Originally arranged by G. Woerl (who included cello II ad lib for Nos. 1-10), Enyeart wrote Cello II parts for the remaining five. The only other change we note is the inclusion of measure numbers.
These pieces can be played whether you are 2 cellos, 3 cellos or 4 cellos. Cello 1 requires knowledge of tenor clef and thumb position. Cello II is the most challenging as it has more shifting in neck positions. Cellos III and IV may be played by less experienced players. Contents: Fall Recollections at Dressing Table, Whether He Knows or Not, Little Cabbage, General’s Command, Jiaocheng Mountain, Elunchun Folk Tune.
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