Arranged by Jorge Espinoza for 7 cellos. Parts are of uneven difficulty. Cello I and II treble and tenor clefs. Cello III and IV tenor with some bass clef. V, VI and VII are progressively easier.
#2414 Op. 119, Nos. 1 & 2. Parts only; no score. Parts are in bass clef and of uneven difficulty with Cello I’s range just beyond the harmonic A. Cello II does not exceed the harmonic A. Cello III and IV are easier, fluent to fourth position
Each part is in its own booklet. Cello I is a bit more challenging than II but both parts remain in bass clef to 4th position and A harmonic. It is rehearsal-friendly with measure numbers, but there are no fingerings provided. This may be a blessing if you know your fingerboard geography, and a curse if you’re a play-by-number kinda guy.
Parts are of uneven difficulty. Cello I requires fluency in treble, tenor and bass clefs. Replete with double stops. Cello II mostly bass clef with the exception of two measures where tenor clef is unnecessary, and a B-C in two measures where it is helpful. (Editorial choices mystify me). Cello III and IV are all in bass clef, with IV having easier rhythms and no double stops.
16 duets compiled and edited by Francis Grant. Each part is in a separate booklet. The cover lists the wrong repertoire!! It is not a method and has no pedagogical works.
Offenbach: Andante, Allegro Giacoso, Andante Cantabile, Intermezzo, Reverie, Old French Song, Allegretto, Serenade, Rondo
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