This single booklet includes both parts in score form. Parts are of similar difficulty, and both have a mix of tenor and bass clef. However, the tenor clef often stays within 4th position. If you associate clef changes with notes above your comfort zone, if you can handle through A harmonic up to a possible B, don’t shy away from these.
[IMC #2227] Originally composed for two oboes and English horn. Cello I is entirely in tenor clef and requires thumb position; Cello II is in bass clef moving briefly above 4th position for a B; Cello III barely moves out of first position to an occasional E. There are many octave jumps in the lower positions, many ungainly passages.
Arranged by Heidi Schultz, edited by Lynne Latham. Cellos I and II need to be comfortable through 4th position, III and IV less so. Includes score with parts.
Das Lied vom Braven Mann
Comitat
Beati Mortui
Periti Autem
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