Edited by Starker. Two identical booklets, given the nature of the canon. They are not arranged in order of difficulty, and there are variations with some in bass clef, others in tenor. #3180
This set includes two booklets, each with both parts in score form. While I don’t usually use “intermediate” to grade music, these works stay in bass clef, through 4th position, in friendly keys, with rhythmic challenges. If you like French Baroque chamber music, try these.
This sonata with basso continuo includes both parts in one booklet in score form, as well as a piano accompaniment so you can play it either way — or both ways. Cello I is largely in tenor clef, but the note range does not exceed 4th position G. Continuo in bass clef, easier rhythmically.
IMC #3705 is the 15 Easy Studies which precede the 10 Grand Etudes in Op. 76 preparing you for Op 73, the High School. Originally arranged by G. Woerl (who included cello II ad lib for Nos. 1-10), Enyeart wrote Cello II parts for the remaining five. The only other change we note is the inclusion of measure numbers. It is a single book with both parts in score form.
16 duets compiled and edited by Francis Grant. Each part is in a separate booklet. The cover lists the wrong repertoire!! It is not a method and has no pedagogical works.
Offenbach: Andante, Allegro Giacoso, Andante Cantabile, Intermezzo, Reverie, Old French Song, Allegretto, Serenade, Rondo
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