Edited by Starker. Two identical booklets, given the nature of the canon. They are not arranged in order of difficulty, and there are variations with some in bass clef, others in tenor. #3180
IMC #3705 is the 15 Easy Studies which precede the 10 Grand Etudes in Op. 76 preparing you for Op 73, the High School. Originally arranged by G. Woerl (who included cello II ad lib for Nos. 1-10), Enyeart wrote Cello II parts for the remaining five. The only other change we note is the inclusion of measure numbers. It is a single book with both parts in score form.
From 44 Duos for 2 Violins arranged for 2 violoncelli by Walter Kurz. At first blush the pieces appear deceptively simple. Most of the duets can be played with a working knowledge of first and second positions. However, phrasing, dynamic markings, changes in time signature, and complex rhythms quickly reveal much more intricate music happening here. While parts appear evenly matched, it will be helpful to play with a more advanced partner. Newer students will have questions. Highly recommended because of the broad scope of skills required and, after all, it is Bartok! The 18 pieces are short, absolutely loaded with material.
[IMC #2227] Originally composed for two oboes and English horn. Cello I is entirely in tenor clef and requires thumb position; Cello II is in bass clef moving briefly above 4th position for a B; Cello III barely moves out of first position to an occasional E. There are many octave jumps in the lower positions, many ungainly passages.
16 duets compiled and edited by Francis Grant. Each part is in a separate booklet. The cover has an error, as it is not a method and has no pedagogical works.
Offenbach: Andante, Allegro Giacoso, Andante Cantabile, Intermezzo, Reverie, Old French Song, Allegretto, Serenade, Rondo
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