Arranged by Steven Rosenhaus. While the melody can be played by bassoon or cello (range through 4th position), the accompaniment is cello-only as it involves double stops and chords.
Parts are of comparable difficulty, and each cellist has their own booklet with parts in score form. Each duet has multiple movements, remain in bass clef through 4th position.
Each part is in its own booklet. Cello I is a bit more challenging than II but both parts remain in bass clef to 4th position and A harmonic. It is rehearsal-friendly with measure numbers, but there are no fingerings provided. This may be a blessing if you know your fingerboard geography, and a curse if you’re a play-by-number kinda guy.
This sonata with basso continuo includes both parts in one booklet in score form, as well as a piano accompaniment so you can play it either way — or both ways. Cello I is largely in tenor clef, but the note range does not exceed 4th position G. Continuo in bass clef, easier rhythmically.
$21.00
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