92 songs for cello solo. Eleanor Rigby, Fool on the Hill, Hey Jude, Lady Madonna, Let It Be, Something, Yesterday….. No accompaniment available, no bowings or fingerings in the part.
The composer writes: “Lament” is a slow movement based on a short tune first presented high on the C string, in imitation of a wooden flute. The tune is fragmented and gradually reassembled, finally appearing well above the normal cello range, in harmonics. “Trilling” is a response both to my interest in rhythmic and metric interaction and to the frustrating boredom of practicing standard trill studies as a cello student. The movement proceeds with a nearly constant measured trill on one string while a slower moving line on adjacent strings continuously redefines the metric meaning of the trill. A short cadenza in the center of the piece leads to a varied recapitulation of the main idea.
Contents: All My Lovin, All You Need Is Love, And I Love Her, Eleanor Rigby, The Fool On The Hill, Golden Slumber, Here Comes The Sun, Here There And Everywhere, Hey Jude, I Saw Her Standing There, I Want To Hold Your Hand, I Will, Let It Be, The Long And Winding Road, Michelle, Norwegian Wood (This Bird Has Flown), Ob-La-Di Ob-La-Da, Penny Lane, She Loves You, Something, When I’m Sixty-Four, Yellow Submarine, Yesterday
This edition (CB 242) replaces Schott’s ED 158 Divertimento for cello solo. The movements have been arranged in a new order. Boris Pergamenshikov has added fingerings and bowings to four of the movements.
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