Gaillard edition. May be helpful to students new to Bach’s suites and looking for fingerings, bowing and dynamic suggestions. You will develop your own approach over time, change fingerings and bowings to suit your abilities and personal taste in the flow and feel of the music. Everything you need to start your adventure is here, affordably. Suite V is presented with scordatura only.
The composer writes: “Lament” is a slow movement based on a short tune first presented high on the C string, in imitation of a wooden flute. The tune is fragmented and gradually reassembled, finally appearing well above the normal cello range, in harmonics. “Trilling” is a response both to my interest in rhythmic and metric interaction and to the frustrating boredom of practicing standard trill studies as a cello student. The movement proceeds with a nearly constant measured trill on one string while a slower moving line on adjacent strings continuously redefines the metric meaning of the trill. A short cadenza in the center of the piece leads to a varied recapitulation of the main idea.
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