#854 Beyond what many people consider to be the “intermediate” player. Extensive use of thumb position in arpeggios, complex rhythms, bowing, double stops and chords. Solo cello
For advanced players, these arrangements incorporate double stops, chords and ornamentation to embellish the solo line with its own accompaniment. Contents: Silent Night (Franz Gruber), O Come All Ye Faithful, What Child Is This, God Rest Ye Merry Gentlemen, O Holy Night (Adolphe Adam), Joy to the World Not currently in stock here but you can order directly from E&E, either download or printed format https://eecellomusic.com/collections/solos/products/carols-for-solo-cello
29 essential orchestral cello part excerpts for auditions with unique color-coding that shows suggested fingerings, bowings, and commentary. The excerpts have copious stylistic pointers throughout each excerpt.
The composer writes: “Lament” is a slow movement based on a short tune first presented high on the C string, in imitation of a wooden flute. The tune is fragmented and gradually reassembled, finally appearing well above the normal cello range, in harmonics. “Trilling” is a response both to my interest in rhythmic and metric interaction and to the frustrating boredom of practicing standard trill studies as a cello student. The movement proceeds with a nearly constant measured trill on one string while a slower moving line on adjacent strings continuously redefines the metric meaning of the trill. A short cadenza in the center of the piece leads to a varied recapitulation of the main idea.
$11.00
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