This is not a Casals edition, but rather one edited by students and disciplies of Casals. Marie Roemaet Rosanoff and Lieff Rosanoff feel they offer a representation of Casals’ teachings, and his tradition of performance as they remained in personal and artistic contact with Casals. Suite 5 does not use the original tuning (scordatura) but normal tuning.
Kodaly originally conceived this as a third movement to Sonata 4. But over time his style of writing changed and did not fit with his 1909 mood, thus it was published as an independent piece. Edited by Ginsberg.
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