Parts are of unequal difficulty. Cellos I, II and III go into thumb position and treble clef in portions. Cello IV stays in bass clef but has many counting issues, chords. No score included. #1764
#2414 Op. 119, Nos. 1 & 2. Parts only; no score. Parts are in bass clef and of uneven difficulty with Cello I’s range just beyond the harmonic A. Cello II does not exceed the harmonic A. Cello III and IV are easier, fluent to fourth position
[IMC #2227] Originally composed for two oboes and English horn. Cello I is entirely in tenor clef and requires thumb position; Cello II is in bass clef moving briefly above 4th position for a B; Cello III barely moves out of first position to an occasional E. There are many octave jumps in the lower positions, many ungainly passages.
#768 Duets I and II each have three movements. III includes a theme with variations. There are occasional treble clef passages with thumb position, but not in all movements. Each part has its own booklet, no need to share a stand. Apparently the cello 1 part of Op. 22 No. 1 is also known as Kummer Concertino in C.
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