Cello Ensembles
Showing 157–168 of 248 results
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Handel Grave and Fugue (arr. for 3 cellos)
#1401 From Concerto Grosso in D Minor, Op. 3, No. 5 Includes parts only. Cellos I and II in tenor clef, thumb position. Cello III bass clef, through 4th position.
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Handel – Messiah Chorus 26 (8 cellos)
“All we like sheep have gone astray,” arranged for cello octet by Jorge Espinoza. Includes parts with score. Cello I and II involve tenor clef and fast fingers for lots of 16th notes. Cellos III-VI require fluency through 4th position. Cello VII-VIII are in a lower range with VIII having only 8th notes.
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Handel Arrival of the Queen of Sheba (4 cellos)
Arranged by Wendy Bissinger. Cello I is the most advanced, in tenor clef, while others are in bass clef. This piece is also arranged by Wendy for string quartet and string orchestra.
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Haydn String Quartet Op. 76/5 arr. for 4 cellos
Arranged by Laszlo Varga. Includes parts and score. [MC-48]
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Haydn Four Duets for 2 cellos
Presented in score form, both parts on one page. Written originally for baryton, three of these duets have been transcribed for cello while one retains its original form.
Duett in D (Hob. X:11)
Duett in G (Hob. XII:4)
Duett in G (Hob. XII:1)
Duett in D (Hob. XII:3 + 5) -
Haydn – Divertimento No. 18 (3 cellos)
Originally for baryton, Hob.XI:66 in A major is arranged for three cellos by Jorge Espinoza. Includes parts with score. Cello I and II require fluency in treble and tenor clefs. Cello III remains in bass clef and is a less complex part.
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Haydn – Divertimento No. 23 D major (for 3 cellos)
Originally for baryton, Hob.XI95 in D major is arranged for three cellos by Jorge Espinoza. Includes parts with score. Cellos I and II should be comfortable in tenor clef. Cello III’s part is in bass clef but is on a par rhythmically with the others.
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Haydn – Baryton Trio No. 2 G major Hob. XI 26 (3 cellos)
A Divertimento arranged for 3 cellos by Jorge Espinoza. Cellos 1 and 2 are a bit more advanced in note range and rhythm than Cello 3, in case your group has mixed abilities. Includes parts with score.
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Haydn – Divertimento No. 24 B minor (3 cellos)
Hob. X196 arranged by Jorge Espinoza. Cello 1 requires fluency in tenor clef; Cello 2 tenor and treble; Cello 3 bass. clef. Includes parts with score.
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Chamber Music for 4 Cellos Vol. 10
Haydn – Menuetto alla Zingarese (Cello IV has a solo)
Mozart – Zwei deutsche Kirchenleider
Beethoven-Bockmann – Largo appassionato
Dvorak – Slavonic Dance
Schubert – Der Tod und das MadchenEdited by Pejtsik. Includes parts with score. Cello I and II treble and tenor clef. Cello III some tenor clef. Cello IV fluent through 4th position.
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Offenbach 3 Duets (2 cellos) Op. 51
Each part is in its own booklet. Cello I is a bit more challenging than II but both parts remain in bass clef to 4th position and A harmonic. It is rehearsal-friendly with measure numbers, but there are no fingerings provided. This may be a blessing if you know your fingerboard geography, and a curse if you’re a play-by-number kinda guy.
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