Cello Ensembles

Showing 169–180 of 268 results

  • Goltermann 2 Morceaux de Salon Op. 53 (4 cellos)

    1. Religioso 2. Nocturne

    Includes parts, no score. Parts are of uneven difficulty with Cello I involving tenor clef, Cello II with some treble which is barely above A harmonic, but editor chose that clef.  Cello III and IV are significantly easier.

    $21.99

  • Grieg Holberg Suite (6 cellos)

    Includes parts, no score.  No real “beginner” material in this.
    Cellos I – II require advanced players who are comfortable in treble clef, thumb position, double stops.
    Cello III and IV has a blend of bass, tenor and treble clefs, not always warranted given the note range.  Could be disconcerting for players who are unable to fluidly move between clefs, or aren’t quick on changing double stops.
    Cello V is primarily in bass clef, the parts are more accessible but not for beginners.  There are occasional treble clef notation despite the fact they hover around a middle C.  Alternate notation would have been helpful.
    Cello VI bass clef, fewer and easier double stops, but the rhythms in “Air” are out of the range of many beginners.

    $32.00

  • Halsey Stevens – Five Duos for 2 Cellos

    Includes two booklets, both parts in score form.  While both parts are in lower positions, the rhythms, double stops, metric changes make them less straight-forward.

    $21.75

  • Handel Grave and Fugue (arr. for 3 cellos)

    #1401    From Concerto Grosso in D Minor, Op. 3, No. 5 Includes parts only. Cellos I and II in tenor clef, thumb position. Cello III bass clef, through 4th position.

    $12.00

  • Handel Sonata in G minor, Op. 2 No. 8 (2 cellos and piano)

    #2329   Triosonata No. 16

    $15.25
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    Handel – Messiah Chorus 26 (8 cellos)

    “All we like sheep have gone astray,” arranged for cello octet by Jorge Espinoza. Includes parts with score. Cello I and II involve tenor clef and fast fingers for lots of 16th notes. Cellos III-VI require fluency through 4th position. Cello VII-VIII are in a lower range with VIII having only 8th notes.

    $20.00

  • Handel Arrival of the Queen of Sheba (4 cellos)

    Arranged by Wendy Bissinger.  Cello I is the most advanced, in tenor clef, while others are in bass clef.   This piece is also arranged by Wendy for string quartet and string orchestra.

    $11.00

  • Haydn String Quartet Op. 76/5 arr. for 4 cellos

    Arranged by Laszlo Varga.  Includes parts and score.  [MC-48]

    $24.00

  • Haydn Four Duets for 2 cellos

    Presented in score form, both parts on one page.  Written originally for baryton, three of these duets have been transcribed for cello while one retains its original form.
    Duett in D (Hob. X:11)
    Duett in G (Hob. XII:4)
    Duett in G (Hob. XII:1)
    Duett in D (Hob. XII:3 + 5)

    $22.99

  • Haydn – Divertimento No. 18 (3 cellos)

    Originally for baryton, Hob.XI:66 in A major is arranged for three cellos by Jorge Espinoza. Includes parts with score. Cello I and II require fluency in treble and tenor clefs. Cello III remains in bass clef and is a less complex part.

    $20.00

  • Haydn – Divertimento No. 23 D major (for 3 cellos)

    Originally for baryton, Hob.XI95 in D major is arranged for three cellos by Jorge Espinoza. Includes parts with score. Cellos I and II should be comfortable in tenor clef. Cello III’s part is in bass clef but is on a par rhythmically with the others.

    $25.00

  • Haydn – Baryton Trio No. 2 G major Hob. XI 26 (3 cellos)

    A Divertimento arranged for 3 cellos by Jorge Espinoza. Cellos 1 and 2 are a bit more advanced in note range and rhythm than Cello 3, in case your group has mixed abilities. Includes parts with score.

    $20.00