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Bach, JS – Six Suites for Solo Cello BWV 1007-1012 (Wenzinger)
BA 320, Wenzinger edition renders Suite #5 in both scordatura and normal tuning. This is the most-often purchased edition here.
Bach, JS – Six Suites for Solo Cello BWV 1007-1012 (Voss)
The Henle edition includes one cello part which has slurs, edited by Egon Voss, and a second part bowed and fingered by Reiner Ginzel. Includes Suite 5 with scordatura and concert pitch.
Bach, JS – Six Suites for Solo Cello BWV 1007-1012 (Starker)
Edited by Janos Starker
Bach, JS – Six Suites for Solo Cello BWV 1007-1012 (Scholarly)
(BA 5216) Barenreiter’s Scholarly Critical Performing Edition is a compilation of four handwritten sources and the first printed edition. With accompanying text and facsimiles, this is a wealth of information for those undertaking a critical and historical study of Bach’s masterpieces for cello. Also included is a clean, unannotated copy to mark as you wish.
Bach, JS – Six Suites for Solo Cello BWV 1007-1012 (Markevitch)
Dmitri Markevitch edition based upon the manuscripts of Kellner, Westphal and Anna Magdalena Bach. Suite V is presented with scordatura, and a second time after the version for Lute. Very few fingerings are provided; slurs are designated above the staff to be based on the manuscripts, and below the staff to be Markevitch’s suggestions. Introductory notes address the interpretations offered, citing details from manuscripts
Bach, JS – Six Suites for Solo Cello BWV 1007-1012 (Gaillard)
Gaillard edition. May be helpful to students new to Bach’s suites and looking for fingerings, bowing and dynamic suggestions. You will develop your own approach over time, change fingerings and bowings to suit your abilities and personal taste in the flow and feel of the music. Everything you need to start your adventure is here, affordably. Suite V is presented with scordatura only.
Bach, JS – Six Suites for Solo Cello BWV 1007-1012 (Malkin)
Edited by Malkin. Suite V does require the downtuning of the A string to a G and does not contain a version for normal tuning.
Bach, JS – Six Suites for Violoncello Solo BWV 1007-1012 (Alexanian)
Edited by Alexanian. This edition of the Bach Cello Suites contains not only the music as interpreted with bowings and fingerings by Alexanian, but also an analysis of his interpretation in English, French and German. Included is the Anna Magdalena manuscript. Solo cello
Bach, JS – Six Suites for Solo Cello BWV 1007-1012 (Banda)
Edited by Ede Banda.
Bach, JS – Six Suites for Solo Cello S. 1007-1012 (Kurtz)
Contains, side by side, Kurtz’ edition with the Anna Magdalena manuscript. Suite V does require the down tuning of the A string to a G and does not include a version for normal tuning.
Bach, JS – Suite 1 BWV 1007
Suite 1 all by itself, excerpted from the Wiener Urtext edition of all six suites, minus the critical commentary. Annotations include slurs only, no bowings or fingerings.
Bach, JS – Six Suites for Solo Cello BWV 1007-1012 (Talle)
(BA5257) published in 2018, edited by Andrew Talle, is described as “New Urtext Edition with articulation markings.” Includes detailed introduction reassessing the relations between the surviving sources, genesis of the suites, and interpretive practices in Bach’s day.
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