Arranged by Jorge Espinoza, this trio is accessible to cellists comfortable through 4th position. Parts are of slightly uneven difficulty in that Cello 3 has a lower range of notes.
#1401 From Concerto Grosso in D Minor, Op. 3, No. 5 Includes parts only. Cellos I and II in tenor clef, thumb position. Cello III bass clef, through 4th position.
Originally for baryton, Hob.XI:66 in A major is arranged for three cellos by Jorge Espinoza. Includes parts with score. Cello I and II require fluency in treble and tenor clefs. Cello III remains in bass clef and is a less complex part.
A Divertimento arranged for 3 cellos by Jorge Espinoza. Cellos 1 and 2 are a bit more advanced in note range and rhythm than Cello 3, in case your group has mixed abilities. Includes parts with score.
Originally for baryton, Hob.XI95 in D major is arranged for three cellos by Jorge Espinoza. Includes parts with score. Cellos I and II should be comfortable in tenor clef. Cello III’s part is in bass clef but is on a par rhythmically with the others.
This book has 3 parts in score form so if you have three cellists, consider purchasing three books. Cello I is all in tenor clef, Cello II in tenor and bass, Cello III all bass clef. Rhythmic challenges.
These are a lot of fun! Parts stay within Positions 1-4 but have rhythmic and metric challenges. Includes parts. Optional pocket score is available for $6.00
A study in key changes, chromatic progressions, and left hand positions! Cello I tenor clef, Cello II and III bass clef, everyone gets 2 sharps, 3 flats, 4 sharps, 1 flat, 6 sharps . . . tee hee. Arranged by Wendy Bissinger.
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