Arranged by Wendy Bissinger. Cellos I and II require fluency in tenor and treble clef. Cellos III and IV remain in bass and are less challenging in range and rhythm.
This sonata with basso continuo includes both parts in one booklet in score form, as well as a piano accompaniment so you can play it either way — or both ways. Cello I is largely in tenor clef, but the note range does not exceed 4th position G. Continuo in bass clef, easier rhythmically.
Arranged by Heidi Schultz, edited by Lynne Latham. Cellos I and II need to be comfortable through 4th position, III and IV less so. Includes score with parts.
Das Lied vom Braven Mann
Comitat
Beati Mortui
Periti Autem
Jaglied
Im Suden
Zigeunerlied
Ersatz fur Unbestand
#2414 Op. 119, Nos. 1 & 2. Parts only; no score. Parts are in bass clef and of uneven difficulty with Cello I’s range just beyond the harmonic A. Cello II does not exceed the harmonic A. Cello III and IV are easier, fluent to fourth position
$16.50
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