More advanced material with Cello I in treble and tenor, Cello II and III in tenor and bass clefs. Ornamentation. Parts, no score. Edited by Thomas-Mifune. [GM 1186]
[IMC #2227] Originally composed for two oboes and English horn. Cello I is entirely in tenor clef and requires thumb position; Cello II is in bass clef moving briefly above 4th position for a B; Cello III barely moves out of first position to an occasional E. There are many octave jumps in the lower positions, many ungainly passages.
IMC #3705 is the 15 Easy preparatory studies to Op. 76 and 73. Originally arranged by G. Woerl (who included cello II ad lib for Nos. 1-10), Enyeart wrote Cello II parts for the remaining five. The only other change we note is the inclusion of measure numbers.
From 44 Duos for 2 Violins arranged for 2 violoncelli by Walter Kurz. At first blush the pieces appear deceptively simple. Most of the duets can be played with a working knowledge of first and second positions. However, phrasing, dynamic markings, changes in time signature, and complex rhythms quickly reveal much more intricate music happening here. While parts appear evenly matched, it will be helpful to play with a more advanced partner. Newer students will have questions. Highly recommended because of the broad scope of skills required and, after all, it is Bartok! The 18 pieces are short, absolutely loaded with material.
Arranged by Heidi Schultz, edited by Lynne Latham. Cellos I and II need to be comfortable through 4th position, III and IV less so. Includes score with parts.
Das Lied vom Braven Mann
Comitat
Beati Mortui
Periti Autem
Jaglied
Im Suden
Zigeunerlied
Ersatz fur Unbestand
$18.95
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