Parts are of comparable difficulty, and each cellist has their own booklet with parts in score form. Each duet has multiple movements, remain in bass clef through 4th position.
[IMC #2227] Originally composed for two oboes and English horn. Cello I is entirely in tenor clef and requires thumb position; Cello II is in bass clef moving briefly above 4th position for a B; Cello III barely moves out of first position to an occasional E. There are many octave jumps in the lower positions, many ungainly passages.
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