Composed by Orlando Gibbons, arranged by Jorge Espinoza for cello sextet. Cellos 1-4 must be fluent in tenor clef while Cellos 5-6 stay in bass clef. Parts with score.
[IMC #2227] Originally composed for two oboes and English horn. Cello I is entirely in tenor clef and requires thumb position; Cello II is in bass clef moving briefly above 4th position for a B; Cello III barely moves out of first position to an occasional E. There are many octave jumps in the lower positions, many ungainly passages.
#2414 Op. 119, Nos. 1 & 2. Parts only; no score. Parts are in bass clef and of uneven difficulty with Cello I’s range just beyond the harmonic A. Cello II does not exceed the harmonic A. Cello III and IV are easier, fluent to fourth position
#3741 For solo cello with 2nd cello part by Daniel Morganstern instead of the usual piano reduction. Also includes commentary and preparatory exercises.
$16.95
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