#854 Beyond what many people consider to be the “intermediate” player. Extensive use of thumb position in arpeggios, complex rhythms, bowing, double stops and chords. Solo cello
Edited by Starker. Two identical booklets, given the nature of the canon. They are not arranged in order of difficulty, and there are variations with some in bass clef, others in tenor. #3180
[IMC #2227] Originally composed for two oboes and English horn. Cello I is entirely in tenor clef and requires thumb position; Cello II is in bass clef moving briefly above 4th position for a B; Cello III barely moves out of first position to an occasional E. There are many octave jumps in the lower positions, many ungainly passages.
#768 Duets I and II each have three movements. III includes a theme with variations. There are occasional treble clef passages with thumb position, but not in all movements. Each part has its own booklet, no need to share a stand. Apparently the cello 1 part of Op. 22 No. 1 is also known as Kummer Concertino in C.
#2704 Both cellos should be comfortable in tenor clef
$18.50
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